Public Artist’s Retrospective in final week at MOCA GA; Ayokunle Odeleye at MOCA GA

After 32 years creating public sculpture, Ayokunle Odeleye reflects on the responsibility of art in…

Georgia (Jan 22, 2013) — By Rosalind Bentley


Link To Article

After 32 years creating public sculpture, Ayokunle Odeleye reflects on the responsibility of art in the public domain

Ayokunle Odeleye saw the older woman watching him from across the street, but he kept working.

Years before, he had forged the towering monument “Spirit, Family and Community,” a gleaming bronze sculpture on a corner in the Peoplestown neighborhood. The piece was created as part of the public art program meant to spruce up pockets of Atlanta for the 1996 Olympics.

But it had been a while since the Olympics, and it had been a while since the bronze looked lustrous, so Odeleye (pronounced Oh-da-LAY-yay) was out polishing it.

“Hey, hey, take your hands off that,” Odeleye remembers the older woman yelling at him.

“I’m the artist, I did this,” Odeleye replied, and he pointed to his signature at the base of the piece for emphasis.

“Unhuh, yeah, I don’t care, that’s our art, so get your hands off it,” the woman said.

That’s when Odeleye knew that, tarnished or not, as a work of public art the piece was a success.

“When you do a piece of work that people find valuable and meaningful they protect it,” Odeleye said recently. “And when you’re a public artist you really are a contractor of community identity.”

An artist knows that once he creates a work of art specifically for the public domain — no matter how connected he might feel to the piece — once it’s placed in a community, in many ways it’s not really his anymore, signature or not. As one of the nation’s most prolific public artists, Ayokunle Odeleye is clear on that. …


Thursday, January 17, 2013

Ayokunle Odeleye at MOCA GA

 Serendipity is such a dear and cherished friend! 

The Museum of Contemporary Art of Georgia (MOCA GA) had been on my radar for quite some time, but I just got around to it this past weekend. And what a great experience! So great, that I went twice in the same day!

I had the great fortune of just catching the exhibition, "Ayokunle Odeleye: Thirty-two Years of Public Art"—it was the last day of the exhibition—AND it just so happened (here's the serendipitous part) that there was later that day a panel discussion with Ayo and three other public artists and the Atlanta Office of Cultural Affairs' Public Art Program Manager…there was no way I was going to miss that discussion!

I arrived at the Museum, on the well-known antique shop-laden Bennett Street in Buckhead, and was welcomed with enthusiasm and was provided ample detail about the Museum and its current exhibition. I learned about the upcoming exhibition on the way out (more on that in a moment). …

 Link to article:


A leader in innovative teaching and learning, Kennesaw State University offers undergraduate, graduate and doctoral degrees to its nearly 43,000 students. With 11 colleges on two metro Atlanta campuses, Kennesaw State is a member of the University System of Georgia. The university’s vibrant campus culture, diverse population, strong global ties and entrepreneurial spirit draw students from throughout the country and the world. Kennesaw State is a Carnegie-designated doctoral research institution (R2), placing it among an elite group of only 6 percent of U.S. colleges and universities with an R1 or R2 status. For more information, visit